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 <title>Three Imaginary Girls - Biirdie</title>
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 <title> Catherine Avenue</title>
 <link>http://www.threeimaginarygirls.com/recordreview/2008mar/biirdiecatherineavenue</link>
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                    7.5        &lt;/div&gt;
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                    http://www.amazon.com/Catherine-Avenue-Biirdie/dp/B00116GD9O/wwwthreeimagi-20/        &lt;/div&gt;
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                    &lt;p&gt;Biirdie&amp;#39;s second effort and first tango with Love minus Zero records, &lt;em&gt;Catherine Avenue,&lt;/em&gt; is a testament to the SoCal sound — the kind of music that invokes drives on the Pacific Coast Highway, beach parties, and Laurel Canyon mischief. &lt;/p&gt;
&lt;p&gt;The Biirdie trio of Jared Flamm, Richard Gowen and Kala Savage have created a 45 minute bittersweet love letter to California, and although most bands look upon their southern California living with the same ironic &amp;quot;I hate you/I love you&amp;quot; reflection, Biirdie&amp;#39;s tunes are catchy enough to not be a let-down. &lt;/p&gt;
&lt;p&gt;The mood of the album is eclectic to say the least. The band&amp;#39;s folksy background is infused with a fine cacophony of 1970s sound along with the modern indie touches; from song openings that pay homage to the fine echoes of Pink Floyd to keyboard playfulness that recalls Elton John&amp;#39;s &amp;quot;Crocodile Rock&amp;quot; on the track &amp;quot;Who Were You Thinkin&amp;#39; Of,&amp;quot; the group leaves no stone unturned and, luckily for Biirdie, more=better. This is not over-designed rock; this is the kind of rock that you fall in love to (albeit if your life is a TV show on the CW). One is hard-pressed to deny the soundtrack appeal of Biirdie ... it&amp;#39;s as if the music was written for the backdrop of big, life-affirming events.&lt;/p&gt;
&lt;p&gt;The album flows seamlessly between various tracks, from the title track to &amp;quot;I&amp;#39;m Gonna Tell You Something,&amp;quot; a track which starts off with at least a good minute of space-age tones and turns into almost a campfire sing-along song for the band to croon along to. The tracks are organized accordingly and each musical vignette, although ever-changing, never catches you off guard. Instruments are used without abandon, from the old ragtime piano to the string orchestra to the banjo (a personal favorite of mine) on &amp;quot;Estelle.&amp;quot; It&amp;#39;s a joy to see a band step outside the format of singer, guitar, bass and drums — it shows maturity as well as an appreciation for not just rock &amp;#39;n&amp;#39; roll, but various other genres as well. &lt;br /&gt;The vocals can blend like a choir on certain tracks  and then some solos shine too. Kala Savage&amp;#39;s ballad &amp;quot;Petals&amp;quot; is one of the songs that sticks out from the group, but this is by no means a bad thing. The song&amp;#39;s silkiness is felt thanks in part to Savage herself.  Her voice is soft, soothing… a more effervescent Jenny Lewis type. You would think with her last name (think Fred and Ben) that she would command more of the album, but &amp;quot;Petals&amp;quot; is her only solo piece on &lt;em&gt;Catherine Avenue&lt;/em&gt;, which I found refreshing. &lt;/p&gt;
&lt;p&gt;Although the album is short, you don&amp;#39;t feel cheated. After all, Biirdie&amp;#39;s sweetness is in its song.&lt;/p&gt;
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Although the album is short, you don&#039;t feel cheated. After all, Biirdie&#039;s sweetness is in its song.&lt;!-- google_ad_section_end --&gt;&lt;p&gt;&lt;a href=&quot;http://www.threeimaginarygirls.com/recordreview/2008mar/biirdiecatherineavenue&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.threeimaginarygirls.com/recordreview/2008mar/biirdiecatherineavenue#comments</comments>
 <category domain="http://www.threeimaginarygirls.com/taxonomy/term/8724">Biirdie</category>
 <category domain="http://www.threeimaginarygirls.com/taxonomy/term/8725">Love Minus Zero</category>
 <pubDate>Tue, 25 Mar 2008 05:18:03 +0000</pubDate>
 <dc:creator>Steele</dc:creator>
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