Tonight in Seattle:  


Photo Essay: SIFF Rock Doc Red Carpets! The Punk Singer & Her Aim is True

Imaginary Rich has done it again! His red carpet coverage is UNSTOPPABLE. This time he captured the arrivals for both The Punk Singer and Her Aim is True: two rock-related documentaries that screened at SIFF this past weekend.

We ♥ the spirit showing in these! Thanks, Rich.

{more photos after the jump} 


SIFF Take: Peaches Does Herself

You gotta love Peaches to love this film; and I do. Her music makes me wanna dance all night, get pissed, be fierce, make out, jump up and down, and do a ton of tequila shots. 

In Peaches Does Herself, the rock star/punker/electronic Goddess takes her stage antics to new performance art levels; directing herself, dancers, and other musicians through a storified-approach to her songs involving hot pink underwear, spage-age costumes (which she peels off to reveal hot pink underwear), and simulated sex. Lots and lots and lots of simulated sex. Oh, and a little bit of blood too. OF COURSE. 

Everyone's legs seemed continually splayed; and Peaches particular brand of art includes more representations of boobs, vaginas, and cocks (+ a few real ones) than most people are probably comfortable with. But that's the point, isn't it? Peaches is always trying to throw this stuff in your face in order to make a statement about it.


Latest comment by: Imaginary Amie: "If you had to sum up Peaches in one word, it would probably be "controversial". Or maybe "what." "

Showing out-of-town bands around Seattle: The Pauses edition

Okay, maybe “around Seattle” is a misnomer, as it was really “around Capitol Hill”. Anyway! On Monday {9/17}, I met up with Tierney, Jason, (tour drummer) Cash, and Sammy near The Comet Tavern before their show, and naturally, they were all hungry.

My first thought was Bimbo’s—but a claim was made that they were all “kind of burrito’d out…” and so, I suggested The Honey Hole: king of the deliciously huge sandwiches. Even though I lamented the loss of The Spicoli from the menu (say it ain’t so, Honey Hole!), I found a sammich I loved, and so did everyone else. And there was much rejoicing.

After dinner, I rounded up the coffee drinkers and took them over to Stumptown (don’t get mad at me, people, I KNOW Stumptown is a Portland roaster, but it’s my favorite place on the hill to grab coffee!) for some yummy lattes. They all agreed I hadn’t oversold it (thankfully), and that it was really, really, really good. And there was much rejoicing—and laughing over the giant duck decoy they use as a restroom key holder.


Three Imaginary Girls presents The Pauses at The Comet {9/17}

Hey! You guys! Remember way back in May 2011 when I was gushing all over The Pauses debut album, A Cautionary Tale? Well. THEY ARE FINALLY COMING TO SEATTLE TO PLAY (in support of their new split EP with Great Deceivers) and TIG is presenting the show!!!!!!

There are just not enough exclamation points for this post. I mean it. I cannot wait to see them play live! They are coming all the way from Florida!

Please join me at The Comet on Monday, Sept. 17 at 8:30pm for some awesome tunes by The Pauses, Best Band from Earth, and The Black Tones. Three bands for $6! A total steal. 

{The Pauses w/The Black Tones and Best Band from Earth | The Comet Tavern | Doors at 8:30pm, 21+ | $6}

Some motivation to get you there:

Latest comment by: ig viva: "I'm going to be at a work retreat Monday. So bummed!!"

Recommended Nostalgia Show: The Cult at The Neptune {8/21}

My love affair with The Cult began with, appropriately, the single “Love”, from their 1985 release of the same name. From there, I snapped up all the imports I could find, including a copy of the Death Cult 1988 re-release, picture CDs with remixes, a tape of Electric scored from the Lynwood Fred Myer that I eventually wore out, and spent many hours dancing to "She Sells Sanctuary" at The Underground.

After 5 concerts spent swooning over Ian's voice and wishing that Billy Duffy was my boyfriend, and stomping around in my boots wearing jean shorts with ripped up black tights and Cult concert tees, my fascination admittedly waned after 1991’s Ceremony failed to wow me like their previous albums, and I am barely familiar with the songs on The Cult and Born Into This.

But the release of their new album, Choice of Weapon, has prompted a fresh tour, and because I know someone (Hi, Jenny George!) who is as excited as I am about The Cult, I HAVE TO GO to the show at The Neptune next Tuesday night (8/21). And you should too.

{The Cult with Murder of Crows | Neptune Theatre | Tuesday, 8/21 | Doors at 7pm, Show at 8pm | Tix $38.50 online, before fees | All Ages, bar with valid ID}


Recommended Show: Jonathan Coulton at The Showbox {6/22}

I’ve been a fan of Jonathan Coulton ever since my own Jonathan put “Skullcrusher Mountain” on a mix CD for me. And, Hooray! He's coming to The Showbox June 22!!!

Moving between fun, poppy tunes and folkier ballards, Coulton's lyrics inject a sense of (nerdy) humor into every song. His live shows are full of adorable stage presence punctuated by witty commentary, making him beloved by legions of fans. (I’m not kidding about the legions, you guys. He’s like the official singer/songwriter for everybody who goes to Comic Con.) Check out "Skullcrusher Mountain" above, and listen to more of his songs for free here, plus get some downloads for only $1 a pop! Further proof that he is super awesome. Ticket buying is recommend NOW, because this will be sold out soon.

“I made this half-pony, half-monkey monster to please you
But I get the feeling that you don't like it
What's with all the screaming?
You like monkeys, you like ponies
Maybe you don't like monsters so much
Maybe I used too many monkeys
Isn't it enough to know that I ruined a pony making a gift for you?”

{Jonathan Coulton | Showbox at the Market | 6/22 | Doors at 8pm | 21+ | $28.50 adv, $30 day of} 

Romeo + Juliet — Month of May

One-half of this new musically-inclined duo has been a friend of mine for years: Celene Ramadan, AKA Leeni - so just to be clear, this isn't lip service or me trying to pump up a pal's music, as I've been a genuine fan or her pretty tunes since the moment she started creating. I've got all her stuff in my library, and am particularly fond of her 8-Bit work, so naturally when I saw she had a new band happening, I was intrigued.

The other half, Jon-Michael Kerestes, I was wholly unfamiliar with. This Pittsburgh, PA musician apparently reached out to the internets (via Craigslist) to find collaborators around the US, and lo & behold, Leeni answered his call. The result is Romeo + Juliet, a trippy psychedelic alt-rock band that could be direct from a Quentin Tarantino soundtrack.

Their debut, Month of May, is packed full of music with a gritty, full-on 60s sound. Leeni & Jon-Michael sometimes switch lead vocals, and other times go for it with a full duet,  always incorporating beautiful harmonies at just the right moment.


Recommended all ages show: The Thermals @Neumos {Friday, 1/21}

Another discovery via my boyfriend - I love, love, LOVE the way this Portland band rocks my socks off! I can’t really put a label on what they do (they call it indie/alternative/pop-post-punk, so I guess they can’t either), all I know is: it is awesome. Watching them live in this KEXP video at Bumbershoot last year makes me all giddy with anticipation.

I’m unsure if I’ll be able to make it to the show on Friday, but you absolutely should because it’s going to be a bouncy night of super-fun with The Thermals, Unnatural Helpers and White Fang. Swing on by Moe Bar to buy some tix, or pick them up online here.

Friday, 1.21 at Neumos
Doors @8pm
Cover: $12 (Advance)
All Ages, Bar w/ID

Recommended Show: Concrete Blonde at the Showbox on Thursday

Concrete Blonde: 20 Years of BloodlettingThough Bloodletting was released shortly after I escaped High School, I was already a long-time Concrete Blonde devotee. Having rocked my way through their debut in 1986 (thanks to The Hidden’s “Still in Hollywood” scene) and identifying with the melancholy yet still rocking Free in 1989, I eagerly anticipated their follow-up in 1990.

My first exposure to Bloodletting was of course, “Joey”, which got so much airplay I can’t remember a day, or hell, even a hour going by without hearing it – a good song, sure, but it didn’t make me sob like “Tomorrow, Wendy”, throw me into goth girl angst like the title song: “Bloodletting (The Vampire Song)”, or make me shout the lyrics out loud like “The Sky is a Poisonous Garden”.

Bloodletting took everything I experienced as a teen (vampires, darkness, feeling lost and helpless - and and also: FUCK this world) and packaged it up with deep, rocking beats, killer guitar work and beautiful, haunting vocals.

The performance I saw 20 years ago was a thing of absolute beauty – so when I heard they’d be doing it again THIS Thursday, June 24th at The Showbox (at the Market, 8pm) for the 20th Anniversary of Bloodletting - there’s no way I could miss it.