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Remember those cute Croation cellists who had a musical duel with Michael Jackson's "Smooth Criminal"? They're back at it again, busting out their adaptation of "Smells Like Teen Spirit" by our beloved Nirvana. I gotta say, I really, really, really love these guys. I wonder what's next...

Between the star-studded opening of the Nirvana exhibit at the EMP, and the 800 different kinds of awesome that took place on Record Store Day, we could barely keep up. However, we did manage to sneak a few shots off at the EMP, as well as at The Head and the Heart's evening set at the Queen Anne Easy Street, both of which are below for the viewing. Enjoy!
Friday night's opening of the Nirvana exhibit:


Latest comment by: Steve Loot: "I want the green striped shirt its one of the most narly ive seen in a while."

Based on all current internet reports, tonight is going to kick some serious ass.
EMP members, press, and invited guests are being beckoned down to Seattle Center to check out the prefunk for the opening of Nirvana: Taking Punk to the Masses. It's just the beginning of a weekend full of grand-opening events, but we're particularly excited about this evening's affair -- because some legendary folks will be taking to the turntables (!!) and spinning hits for the night, including Kurt Bloch, Steve Fisk, Charles Peterson, and Mark Pickerel. No shit.
You know. Just another Friday night in Seattle.
Here's the whole rundown of the weekend, if you're out kicking some Record Store Day activities and want to take break to peek at the EMP's happenings. Please note that tonight's event was closed for RSVP replies last week, so the first chance you'll have to view the exhibit is tomorrow morning (for members, at a family-friendly pre-opening) or tomorrow afternoon (for non-members, starting at noon).
Latest comment by: imaginary victoria: "ditto and ditto! I'm going to see what I can do about snapping off some photos, too! xo"
Are you a Bleach fan or into In Utero? This question, not exactly worded like that, has sort of replaced the "Beatles vs. Stones" dumb-ass everyone-has-an-opinion question in every rock-loving bar from Portland to Portland. The truth is, someone out there must have loved Nevermind, because copies of it are everywhere. But attaching yourself to the band's debut for indie Sub Pop or their second full length for a major label seems to be as good a way of branding yourself as a circular cigarette burn on your hand made you a Germs fan.
If you're a fan of Bleach it usually means You Were There, or at least imagined yourself so, when Nirvana's first full length came out twenty years ago. Sub Pop has reissued the Platinum Certified album as a deluxe CD with mostly-photo booklet, or in 180 gram white vinyl (as was the original run), and now of course in download versions. The big news, besides discovering the actual great album for yourself if you never have before, is that all the formats include Live at Pine Street Theatre from a February 1990 show in Portland. The seventh track in that set list is the cover of "Molly's Lips," played to a crowd that probably knew who the Vaselines were in the first place.
Latest comment by: Jerry: "I think Nirvana opened that night. Possibly Tad. I went on right before Screaming Trees. http://timeforlight.com/articles_live.html"

When old school Seattle punk-metal icon Duff McKagan wrote about punk rock at the Seattle Weekly a couple of weeks ago, he gave a little list of bands he considers essential to the canon. Though it wasn't specifically numerical in importance, the phenomenon-by-response stack of heroes began with The Ramones (good choice), then The Clash (a little more arguable, but who can resist?), and then -- D.O.A.
To quote McKagan:
"D.O.A., Something Better Change: If you grew up in the Northwest in the late '70s or early '80s, D.O.A. were a larger-than-life example of how brilliant a live rock band should be. They were as important as any band in history, as far as I'm concerned."
The actual word "hardcore" as applied to latter period North American punk rock is most likely taken from a D.O.A. album title -- Hardcore '81. Note the year of its release, and that there really wasn't a musical genre with that name before D.O.A. nailed their hard, fast, no compromise sound.
Personally, I'd love to see something like a mini Nirvana museum or something similar installed in the sleepy former lumber town that Cobain used to call home -- something to draw a bit of business to the place. Or a fancy Cobain statue erected on the streets, ala the Hendrix one on Cap Hill.
Latest comment by: Gebular: "I would like to see more Big Bands like Harvey Danger play the area, And would love to see some more things in town aboot Kurt. He is a huge influence in our music. "
The starting price is steep--but what do you expect for a piece of Seattle music history?
Latest comment by: xina: "it actually sold. 3 bidders. winning bid was over $2K. total insanity!"
Here, in tribute to the Seattle label's 20 years of not going out of business, are my favorite 20 releases from Sub Pop from the past two decades. I encourage you to check out their catalog and provide yours, too.
Latest comment by: mike: "Jesus lizard/Nirvana 7" All Afghan Whigs Wolf Eyes LP Fugazi 7" Love Battery 10""
As if we all needed another reason to buy No Sweats...
Latest comment by: Erik Gonzalez: "Ian Curtis? Sneaker? What?"
February 20th marks Kurt Cobain’s 41st Birthday, and to mark this we're giving away a Kurt Cobain About A Son DVD.
To enter to win your very own copy of the DVD: email us at this link (to tig@threeimaginarygirls.com with the subject line "Cobain DVD") before midnight on Wednesday, February 20th, 6p PST.
Latest comment by: Tracey Pounds: "sounds cool"
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