Three Imaginary Girls - Figurines

Jimmy Tamborello on Little Radio playing 7"s tomorrow (Thursday) 11AM-1PM!

Mike Mess — Wed, 30 Apr 2008 19:06:39 +0000

Jimmy Tamborello on Little Radio playing 7"s tomorrow 11AM-1PM!

TONIGHT! Figurines and Dappled Cities live at the Croc

imaginary dana — Thu, 11 Oct 2007 17:39:30 +0000

If yesterday was imaginary Radiohead day, then I hearby proclaim today as Figurines day.

Figurines live on KEXP at noon!

imaginary dana — Thu, 11 Oct 2007 15:15:29 +0000

This news, and my second cup of hot tea, are making me very happy early this Thursday morning. What's making you happy?

Figurines play Seattle, tour all over the damn place

imaginary dana — Tue, 09 Oct 2007 22:21:05 +0000

Denmark's Figurines are gracing Seattle with another live show, this time on Thursday October 11th at the Crocodile with Dappled Cities and Builders & Butchers, to support the release of their latest record, When The Deer Wore Blue.

Up up and away with Figurines?

imaginary dana — Wed, 26 Sep 2007 01:37:43 +0000

"We can't say what happened right now due to legal matters, but luckily, Christian wasn't injured."

Figurines coming back to Seattle!

imaginary liz — Wed, 01 Aug 2007 15:43:59 +0000

I know at least 12 people that flip at the mention of the band Figurines (imaginary Dana flips out enough for two people. The other 25 people I know just haven't heard their album yet. And, to be fair, 2 don't like it at all.

Figurines set US release date for next record. Rejoice!

imaginary dana — Wed, 13 Jun 2007 18:37:11 +0000

When The Deer Wore Blue will be released in the U.S. by local Seattle label The Control Group on September 11th.

TIG on KEXP Podcast January 2007

three imaginary girls — Wed, 14 Feb 2007 08:00:00 +0000

Podcast of our January appearance on KEXP. We were on air with DJ Michelle Meyers and played some of the winners from our Best of 2006 Readers' Poll, as well as a few of our personal faves: BOAT, Math and Physics Club, the Long Winters, The Grates, Psapp, Figurines, Manhattan Love Suicides, Ragazza, the Decemberists, Eux Autres, & Argo.

56:11 minutes (8 MB)

Our Imaginary Editor Picks: Best of 2006

three imaginary girls — Sun, 07 Jan 2007 08:00:00 +0000

I'm so proud of the Pacific Northwest music scene, as she has given us some of the best records released anywhere (although Suburban Kids, Art Brut, Manhattan Love Suicides, and Graham Coxon — I love you like a sister). If I may have a moment, may I publicly declare love for my favorite releases of the year?

I'd like to see anyone even try to stop an imaginary girl mid-gush....

(clears throat) Math and Physics Club, how I adore your heart-melting lyrics and wispy guitar noodles. BOAT, you took lo-fi up a notch with smart songs about parts of speech and addictive melodies (you really deserve your #1 crown). Thermals, dear Thermals. At first I questioned your whole "World being taken over by Christian Fascist" theme, but being the committed Hutch-ite that I am, I listened over and over and became hooked on TBTBTM. Or was it the fact that one of the lines orders folks to strip down to their underwear? Either way, now I LOVE the anti-Christian Fascist Thermals. The Trucks, you gave us all a theme song and a reason to dress up. Eux Autres, although I still have trouble pronouncing your name, I thank you for your nonchalant elegance and understated coolness. Your brother-sister-duo-ness gives me hope that the White Stripes aren't the end of the line. Although I do love me some Jack and Meg, your rhythm section is stronger and your fashion-sense equally scalable to the masses. I thank you for that. I look horrible in white and red. Patience Please, although you are the only EP on the list, you have earned your placement with your spastic indie-pop licks and slight naiveté. I hear you have a full-length planned in 2007? Oh, 2007... you have a lot to live up to!

Um, Liz, I thought you were just going to give us your list...?

Oh yeah, my list! Phew. Here's my list...

Math and Physics Club, Math and Physics Club (Matinee)

BOAT, Songs That you Might Not Like (Magic Marker)

Suburban Kids With Biblical Names, #3 (Minty Fresh)

The Thermals, The Body, The Blood, The Machine (Sub Pop)

Art Brut, Bang Bang Rock And Roll (Downtown)

The Trucks, The Trucks (Click-Pop)

The Manhattan Love Suicides, The Manhattan Love Suicides (Magic Marker)

Graham Coxon, Love Travels At Illegal Speeds (Parlophone)

Eux Autres, Hell Is Eux Autres (Grenadine)

Patience Please, Parallel Plots (Jigsaw)

Goddamnit, how did I forget Art Brut in my list?? Ack! Ahh well, I'm still in love with Emily Kane, and here's my list...

Figurines, Skeletons (The Control Group)

The Knife, Deep Cuts (Rabid Records)

Heartless Bastards, All This Time (Fat Possum)

The Long Winters, Putting the Days to Bed (Barsuk)

Math and Physics Club, Math and Physics Club (Matinee)

The Trucks, The Trucks (Click-Pop)

The Rakes, Capture/Release (V2)

Band of Horses, Everything All of the Time (Sub Pop)

Heather Duby, Heather Duby (Sonic Boom Recordings)

The Doll Test, Gasoline and Banks (Unsmashable)

My list is in no particular order. If you're one of those people who longs for order, well... email me and I'll whip something up. Otherwise, behold my faves of 2006:

The Grates, Gravity Won't Get you High (Cherry Tree)

Joseph Arthur, Nuclear Daydream (Megaforce)

The Decemberists, The Crane Wife (Capitol)

Gnarls Barkley, St. Elsewhere (Downtown)

The Gossip, Standing In the Way of Control (Kill Rock Stars)

Regina Spektor, Begin To Hope (Sire)

Lily Allen, Alright, Still (Capitol)

Justin Timberlake, FutureSex / LoveSounds (Jive)

Psapp, The Only Thing I Ever Wanted (Domino)

Silversun Pickups, Carnavas (Dangerbird)

But don't just take our word for it. See what our readers had to say by reading the results of the Best Northwest Releases of 2006 Readers' Poll {they're way smarter than we are anyways}.

I'm so proud of the Pacific Northwest music scene, as she has given us some of the best records released anywhere (although Suburban Kids, Art Brut, Manhattan Love Suicides, and Graham Coxon — I love you like a sister).

SXSW 2006 Rundown

three imaginary girls — Sun, 19 Mar 2006 08:00:00 +0000

15 Mar 2006

sxsw06mar1.jpg

South by Southwest, where have you been all my life? If I believed in an afterlife, this is what my idea of heaven would be: endless days and nights with no greater concerns than caffeine, alcohol, and indie rock. Except there would be fewer lines, and more cabs.

I can't believe a world where so many (really attractive and nice) people care about new and interesting music exists. What an amazing experience. I'm booking my hotel room and pass as soon as they announce the 2007 dates. Who's with me??

Please note that the photos were taken by us; we can't rule out intoxication, but we also can't rule out that we're just that unskilled with a camera. Oh! Except for the gorgeous Long Winters photo, provided by the amazing Gregory Perez.

Without further ado, read our SXSW 2006:

Top 10 of the Pops!

Honorable Mentions

Totally Overrated

Thank Yous

Top 10 of the Pops! (in alpha order):

Art Brut
I can't stress this enough. If Art Brut comes to your town, go! Whether you are familiar with them because of their placement on KEXP's playlist or you've yet to be introduced, you will love them within one song of their live performance. The cockney-heavy vocals a la The Streets and the hooky guitar jabs spotlight the clever lyrics that are ideal for constant quoting among your group of friends. Move over, quips like "You're so money you don't even know it" — we've now got things like, "This IS my singing voice" and "I've seen her naked... twice!" Thanks Art Brut. "Popular culture, no longer applies to me."

Band of Horses
Band of Horses featured slide guitars, emotive vocals, and nothing less than I expected from two former members of one of my favorite Seattle bands of all time, Carissa's Wierd. While CW expressed life's sadness to the level of morose, Band of Horses were more in the "tear in my beer" cathartic vein of indie-melancholy, and I'm sure will (or have) drawn comparisons to other twangier indie-rock luminaries like My Morning Jacket and Wilco. The fact that they were playing in a field outside Poke-e-Joe's BBQ only added to the Texas of it all.

Billy Bragg
I think I experienced the luckiest day of my life in Austin. How else could I have found myself at a picnic (with free booze and tacos), surrounded by an audience of about 50 people watching Billy Bragg as he played his entire first album in order? Crazy! As you'd expect, the man was armed with timeless songs and sharp banter that could inspire action from even the most humdrum of souls. In between songs he offered words of solace to our blue-state comforted selves. He encouraged us as he talked about how he felt pride when he saw how the outrage and compassionate minority is gaining strength in our nation. He jumpstarted my belief that music can bind people, give weight to ideas and, music industry be damned, fuel change. Take that Toby Keith.

Figurines
Brit bands are a dime a dozen. Bring on the Danes! I had the pleasure of seeing Danish indie-rock sensations Figurines at the Crocodile in Seattle just days before SXSW. Here's my theory on Figurines: you need to hear them three times. The first couple of listens, you think, "Wow, nice songs!" By the third listen, you realize that not only will Skeletons undoubtedly rank in your top 10 of the year, but that you also plan to name your as-yet unconceived children "Christian" — as half the band members are called Christian — even though you are a devout agnostic. Spend some quality time with the record, and you're hooked — or as the fellas sing, "It takes time to get it together for a long time." Figurines have it all: spot on guitar work, inspiring lyrics, rugged hooks, distinctive and appealing vocals... plus swagger, pout, sweet dispositions, and hipster good looks. Think Northwest edge meets Euro-charisma. Now imagine standing right up front, watching these likely superstars rock you on a true Texas dive bar floor. It's surely a 'tell-the-grandkids-about-it' sort of SXSW memory...

Galactic Heroes
I've loved the Galactic Heroes since the first time I heard the sweet jangle of "Coffee And Pastries" from their album Every Sidewalk. Their repertoire embodies all that is sweet and nice and queen bee. Their songs hopscotch through tales of love, friendship, baby blue Volvos, and gleeful happenstances without turning trite or phony. But, given that the two leading members live in different cities, seeing them perform these tales of joy together in lovey Seattle has felt like a pipe dream.

Thank goodness for a massive 1000+ band festival for bringing us together. Live, they broke new GH ground... mainly due to a sudden, unfortunate event that forced their drummer to miss the show. That, on top of the fact that the guys hadn't been able to practice together in quite a while, made for a certain air of... uncertainty. So what did they do? They rocked the house! They gave homemade shakers (made from plastic Easter eggs filled with rice) to the 25 audience members in the front so that we could provide a backing beat to the songs. Then, halfway through the set, Mike (who had just started learning the drums) took to the set and simultaneously sang and drummed. As you would expect, the songs were scaled down but the end result was a lo-fi Lucksmiths-esque set that left the audience grinning from ear to ear.

The Gossip
Playing at 1am on a stage in a parking lot, I was able to fully appreciate the force that *is* Gossip front-diva Beth Ditto. Against the evening chill after a hot Texas day, she channeled that old soul of hers to exorcise the traditions and skeletons of the South. This, with intense, archaic, bare bones rock foundation laid by her two fellow Gossip-ers (Brace Paine and Hannah Blilie), made for a set of hymns for hipsters. As Beth chimed lines like "I don't want the world, I just want what I deserve." I was reminded of all that is great about independent music. Whereas the masses accept songs from The Yeah, Yeah, Yeahs as the end all of soul inspired, angular anthems, The Gossip are the real thing. Glory glory hallelujah!

The Long Winters
Long Winters' frontman John Roderick has the rare ability to win over the drunkest/surliest of audiences with the power of just one sideways pleasantry. In between eloquently espousing about the his excitement of sharing the bill with Smoosh and the underlying music industry presence at the festival, Roderick made the crowd sway to the LW songs old and new. Poles on each end of the spectrum were hit as we enjoyed old favorites ("Stupid," "Unsalted Butter"), newbies ("the commander thinks aloud" from the recent Ultimatum EP), and we got a sneak listen to songs from their upcoming release (to be released in July?). I was so relieved to not only hear the new songs, but find out that they are glorious! Countdown to the new Long Winters album begins... NOW!

The Magic Numbers
As my friend Barbara said to me during the show, the world can't be too bad a place when a band as amazing as The Magic Numbers headlines a major label showcase (Capitol Records) at SXSW. As talented as they are unlikely, this band of two sets of siblings charmed the audience with their extraordinary song writing, their incredible vocal harmonies, and more importantly, with their dazzling sense of joy expressed through music. They've been compared to the psychedelic Flaming Lips as well as the folksy 60's of the Mamas and the Papas; both comparisons are apt. More joyous than an afternoon spent with good friends and free Jack Daniels!

Margot and the Nuclear So-And-Sos/The Rakes
OK, I cheated to sneak an extra band into the Top 10 list. But you have to hear about them both, and both have new US releases on V2-affliated labels, so I thought it only fair to munge them. Margo and the Nuclear So-and-Sos — I agree, that name is tedious at best — were a complete surprise, a dense wall of delicious sounds emanating from no less than eight people onstage: two percussionists, trumpet, cello, two vocalists, and all the rock standards. Their debut release drops end of March, and the hype machine has aleady whirled into motion, so expect to know their name soon (even if you can't quite remember all of it). As for The Rakes, I saw them headline two showcases, at the UK show case at Flamingo and the V2 showcase at the Blind Pig. Equal parts updated Blur-pop and JCrew's autumn pullover collection, these savvy Brit rockers got the floor moving with their exuberant performances, and frontman Alan Donohoe has the best angular, nerdy dance moves since Molly Ringwald in The Breakfast Club

Okkervil River
Will Sheff just might be the most atypically sexy performer alive. As frontman for Okkervil River, he brought to each song so much passion and angst and emotion, rolling over expansive melodies and closed-eye mic grinds, it nearly felt like each member of the crowd had been intimate with him by the end of the {screaming, sweaty, yet all-too-short} set. Musically, the band spins a unique blend of folk earnestness and indie-rock pathos with poignant lyrics, and Sheff's inimitable gravelly voice, which can murmur or howl with equal ferocity. This just might be what igLiz sees when she watches Conor Oberst. I barely made it into this show at the end of the final night (thank you, Heather Hydra!), but it easier was one of the most memorable and electrifying shows of the weekend.

Honorable Mentions (in alpha order):

The Black Angels {Jim Morrison meets Perry Farrell, if you can believe that.}

Camera Obscura {Lovely and precious as I ever imagined.}

Conner {Great new signee to local label Sonic Boom Recordings}

The Cops {Why is it so fun to see hometown bands play in Texas? I dunno, but it is!}

Morningwood {Audicious and crazy and maybe all the free Jack Daniels didn't hurt either},

The Pale Pacific {If I didn't already know of the splendor that is the Pale Pacific, this would have been *that* sxsw showcase... wandering into an under-attended showcase midday, not knowing what to expect... and being blown away. Knowing the Pale Pacific in no way dimished my joy at their too-short-but-oh-so-sweet set.}

The Pretenders {yes, OMG *The* Pretenders!!}

Schoolyard Heroes {If I'd caught more than just the last song, I'm sure they'd have made the top 10}

Smoosh {I can't believe how much more assured and talented they have become. And Asy announced that their next release in June would be on Barsuk Records (!!). The label declined comment, but smiled broadly when asked.}

Something for Rockets {Especially when USE's Noah jumped onstage like a sprite and joyously bounced alongside them}

Stars of Track and Field {Dreamy and swirly despite technical issues}

Sukpatch {They've mastered the synth driven, guitar pedaled, lo-fi psychedelic vocals line up in the vein of bands that they predate (specifically Grandaddy and The Postal Service). The intimate show was like a mid-evening siesta. The swirling keyboards with soothing guitar waves and whispery vocals rejuvenated the saucy crowd.}

Tullycraft {The Tullycraft-ers certainly made Seattle proud as they debuted four new songs to knock the knee high socks off pony-tailed girls across the globe. With their signature guitar hooky, harmonizing vocals and nimble lyrics, the set spanned the spectrum from cute to crack-up. They made the audience feel like they were having the Spring Break that popfest dreams are made of as the band members joked about their rockstar moves and rewarded the best dancing audience members with t-shirts. Surely, their set was the sprinkles on the cupcake of my SXSW experience. Thanks to Dan Machold for the amazing photos.}

Two Gallants {Oh how I love the Two Gallants' way of mixing Bright Eyes and the White Stripes into an authentic / original / religious experience.}

Totally Overrated (in alpha order):

The Eighties Matchbox B-Line Disaster {blew their wad on the first song}, Battle {dull, uninspiring}, Sound Team {so forgettable I couldn't even remember their name}, Two Gallants {I know I'm gonna catch shit for that one, but perhaps my expectations were too high?}.

Other than the bands I had to miss because of double booking, I don't have any regrets. With 1,000+ bands to choose from and limited time, if I suspected something wasn't going to knock me off my feet, I headed next door. There was always something stellar 10 feet away, even if it was just a bathroom with no line.

Thank Yous:

SXSW 2006 would not have been the same without love, support, and cocktails from the following amazing people: BreEllen and April {you RULE, ladies!!!}, Marc at 1 Percent Promotions, Gabe, Cameron, Justin, and Greg {thank you, Cingular!}, Lindsey at V2 {those wristbands ruled!}, Chris the cab driver, the free JANE photo booth, mimosas as the Driskill, DJ Phil and DJ Mike, Heather Hydra, Noah and the USE crew, Derby, Barbara, Scott P. {your list was life-saving, and your company, even better!}, Jason {happy birthday!} and Nabil, the Slender Means van ride, Tes, Jackie, Sarah Q., Paul Tao and the Aversion fellas {and the terrible Las Maritas service}, and the taco stand behind Emos {Seattle totally needs one of those!!}. Woot! Woot!!!

Thanks to everyone for the unbelievably good time. I'm still detoxing from the fun! Too much fun gives you a swollen tongue and a head cold, right?

Read about some of their fave performances from SXSW 2006, including Okkervil River, Art Brut, The Rakes, Billy Bragg, the Long Winters, Galactic Heroes, Figurines, The Gossip, the Magic Numbers, and more. Viva le Austin!

SXSW 2006 Preview

three imaginary girls — Wed, 01 Mar 2006 08:00:00 +0000

16 Mar 2006

sxsw06mar1.jpg

The Three Imaginary Girls posse is heading south and partaking all that is South by Southwest. For years, we've heard recounts of the good times and once in a lifetime showcases. Folks, we are beyond excited to experience it for ourselves.

My head has been reeling with each 10 page highlighted print out igLiz hands me. There is so much amazingly fun stuff to do and see and I don't want to miss a minute of anything. Obviously my overachiever self will need to take a Texas-sized (veggie) chill pill in order to focus on the matter at hand: musica, musica, musica!!!

Yeah, I had a hard time figuring out what would make the list and what to prioritize. I created an indie-rock logarithm that, among other factors, weighed out the probability that a band would come to Seattle + the historical nature of their performance + the likelihood that I'll be able to get into the venue before it reaches maximum capacity (nothing like being denied and long bathroom lines to marsh the mellow). Given these factors, I found those Nordic bands rose top!

And for you non-Seattle-ites, we are proud to have a slew of our highly recommendable local bands representing there. If you aren't coming to SXSW from the Pacific Northwest, make sure to check out those fine Seattle / Portland folks! And if you really want to go where the cool kids are, make sure to stop by any one of the KEXP events taking place at the festival.

Break out the SXSW venue map, the show schedule and the cowboy hats 'cause here's our list of must sees:

WEDNESDAY, MARCH 15
Bourbon Rocks
8:00 p.m. The Carrots {Austin TX}

Buffalo Billiards
12:00 a.m. Derby {Portland OR}

Dirty Dog Bar
1:00 a.m. The Ark {Malmo SWEDEN}

Emo's Jr.
11:00 p.m. Aloha {Cleveland OH}

Emo's Main Room
9:00 p.m. Voxtrot {Austin TX}
11:00 p.m. Serena Maneesh {Oslo NORWAY}

Eternal
9:30 p.m. Jose Gonzalez {Gothenburg SWEDEN}

Flamingo Cantina
12:00 a.m. The Eighties Matchbox B-Line Disaster {Brighton UK}

Lava Lounge Patio
12:45 a.m. Maritime {Milwaukee WI}

The Parish
8:00 p.m. Envelopes {Stockholm SWEDEN}
12:00 a.m. The Ponys {Chicago IL}
1:00 a.m. Art Brut {London UK}

THURSDAY, MARCH 16

Austin Music Hall
8:00 p.m. the Zutons {Liverpool UK}
9:45 p.m. Morrissey {Manchester UK}

The Drink
Nordic Night
8:00 p.m. Astrid Swan {Helsinki FINLAND}
9:00 p.m. Loney Dear {Stockholm SWEDEN}
10:00 p.m. The Latebirds {Helsinki FINLAND}
11:00 p.m. The Royal Highness {Copenhagen DENMARK}
12:00 a.m. Disco Ensemble {Helsinki FINLAND}
1:00 a.m. Sign {Hafnarfjord ICELAND}

Emo's Jr.
10:00 p.m. Headphones {Seattle WA}

Karma Lounge
1:00 a.m. Figurines {Copenhagen DENMARK}

Molotov Lounge
12:00 a.m. The Hidden Cameras {Toronto ON}

The Parish
8:00 p.m. smoosh {Seattle WA}
Barsuk/Saddle Creek
9:00 p.m. John Vanderslice {San Francisco CA}
10:00 p.m. The Starlight Mints {Norman OK}
11:00 p.m. Two Gallants {San Francisco CA}
12:00 a.m. Mates of State {East Haven CT}
1:00 a.m. Nada Surf {New York NY}

The Parish II
Barsuk/Saddle Creek
8:30 p.m. Detachment Kit {Brooklyn NY}
9:30 p.m. Rocky Votolato {Seattle WA}
10:30 p.m. The Long Winters {Seattle WA}
11:30 p.m. Criteria {Omaha NE}
12:30 a.m. Aqueduct {Seattle WA}

Redrum
Sidecho/Made In Mexico Showcase
8:00 p.m. The Catch {Seattle WA}
9:00 p.m. Some By Sea {Seattle WA}
10:00 p.m. The Divorce {Seattle WA}
12:00 a.m. Stars of Track and Field {Portland OR}
1:00 a.m. Damien Jurado {Seattle WA}

The Velvet Spade
8:00 p.m. Velella Velella {Seattle WA}

FRIDAY, MARCH 17

Antone's
1:00 a.m. Neko Case {Tacoma WA}

Blender Balcony at the Ritz
11:30 p.m. volcano! {Chicago IL}

Blender Bar at the Ritz
8:00 p.m. Brakes {Brighton UK}

Cedar Street Courtyard
9:30 p.m. Billy Bragg {London UK}

Dirty Dog Bar
9:00 p.m. Isobel Campbell {Glasgow UK}
10:00 p.m. The Lashes {Seattle WA}
11:00 p.m. OK GO {Chicago IL}

The Drink
Nordic Night
8:00 p.m. Ane Brun {Stockholm SWEDEN}
9:00 p.m. Real Ones {Bergen NORWAY}
10:00 p.m. Sarah Hepburn {Copenhagen DENMARK}
11:00 p.m. Animal Alpha {Oslo NORWAY}
12:00 a.m. Veto {DENMARK}
1:00 a.m. Quit Your Dayjob {Malmo SWEDEN}

Latitude 30
9:00 p.m. Tilly and the Wall {Omaha NE}
10:00 p.m. Sukpatch {Minneapolis MN}
1:00 a.m. Tapes 'N Tapes {Minneapolis MN}

La Zona Rosa
12:00 a.m. Arctic Monkeys {Sheffield UK}

Molotov Lounge
11:00 p.m. The High Violets {Portland OR}

Red Eyed Fly
8:00 p.m. The Brunettes {Auckland NEW ZEALAND}
11:00 p.m. Band of Horses {Seattle WA}

Stubb's
10:00 p.m. The Subways {Welwyn Garden City UK}

SATURDAY, MARCH 18

Antone's
11:00 p.m. Superchunk {Chapel Hill NC}
1:00 a.m Robert Pollard . {Dayton OH}

The Drink
1:00 a.m. The Village Green {Portland OR}

Emo's Annex
Secretly Canadian/Jagjaguwar
9:15 p.m. Richard Swift {Los Angeles CA}
10:15 p.m.Pink Mountaintops {Vancouver BC}
11:15 p.m. I Love You But I've Chosen Darkness {Austin TX}
12:15 a.m. Okkervil River {Austin TX}
1:15 a.m. Magnolia Electric Company {Chicago IL}

Emo's Jr.
11:45 p.m. Ester Drang {Seattle WA}
12:45 a.m. David Bazan {Seattle WA}

Habana Calle 6 Patio
7:30 p.m. Dressy Bessy Denver CO
8:30 p.m. Bedroom Walls {Highland Park CA}
Magic Marker Records
9:30 p.m. The Galactic Heroes {Portland OR}
10:30 p.m. The Owls {Minneapolis MN}
11:30 p.m. Tullycraft {Seattle WA}
12:45 a.m. The Bats {Christchurch NEW ZEALAND}

The Hideout
10:00 p.m. Instruments {Athens GA}
11:00 p.m. Gerbils {Athens GA}

The Jackalope
1:00 a.m. The Spits {Seattle WA}

Maggie Mae's
10:00 p.m. The Joggers {Portland OR}
1:00 a.m. Plan B {London UK}

Our recommendations for SXSW 2006 can't-miss shows.

Skeleton

Chris Estey — Sat, 28 Jan 2006 08:00:00 +0000

8.4

http://www.amazon.com/exec/obidos/ASIN/B000CCBBMM/wwwthreeimagi-20

Figurines06jan.jpg

Christian Hjelm leads the Danish band Figurines with one of those wonderfully-distinctive rock voices. He's capable of flowing aching, heartbroken, but stoic vocal lines over the brittle picking, strumming, and jangling of guitarist Claus Salling Johansen, tersely and tightly wound by the rhythm section of bass player Andreas Toft and drummer Kristian Volden.

Spawned before the year 2000 by three childhood pals — Volden is the latest addition, Johansen played drums on the band's debut EP The Detour (Morningside, 2001) — Skeleton is their second full-length. But sounds like the fresh debut of a sinewy, hungry new band on twisted pop bashers like the deliciously swampy "Ambush" and the 60s beat-spank of "Remember" (both potential monster singles on smart radio stations).

However, as the album progresses, elements of country music and moody folk creep on "Ghost Towns" and "Back In The Day" respectively, the former with the beautiful line "I need someone and you need someone to love tonight — who needs someone to pick a fight?", the latter with a haunted harvest moon creepiness. The album ends on the slowed down "Release Me On The Floor," in which all the fears, laments, and ruminations of the preceding songs are resolved in a chilly bed-sit blues "wondering where it all began," a perfect epilogue for a barbed wire love cycle.

Figurines are currently preparing to tour, coming to Seattle and releasing Skeleton in March 2006 on local Seattle label The Control Group, while they dominate the top spot on their homeland radio and the Danish press continues to go ape-shit. Plus they've been nominated for a Canadian "Indie" Award for this year. The album has been likened to a lot of Pacific Northwest and New York new rock bands, but I could just as well play spot the influence with artists from my old vinyl collection, and none of that would evince the rare charm of the band's performances or compositions. Let's just say if you've been waiting for that record that takes a little while to sink in, and then you can't stop punching up various tracks as you fall in love with them, until you just start playing the thing all the way through again and again, you'll probably want to buy Skeleton.

Seattle, meet Denmark. This should be the start of a beautiful friendship.

Skeleton sounds like the fresh debut of a sinewy, hungry new band on twisted pop bashers like the deliciously swampy 'Ambush' and the 60s beat-spank of 'Remember.'