Uneven albums by your favorite artists are like spending a uneventful, sort of boring evening with your very best friend. You could criticize the night, but you're still really glad she was there anyways, and it's not like you would take those hours back.

In the wake of roots-soulful indie rock band Grant Lee Buffalo, singer/songwriter Grant-Lee Phillips recorded his most recent solo album Little Moon in just four days with a small tribe of veterans, including Jay Bellerose (the drummer from the Allison Krauss/Robert Plant Raising Sand album). Jamie Edwards puts a cozy wash of keyboards and sweet fills between Phillips' coy and wizened vocals and Bellerose's drums, with Sebastian Aymans adding more clickety-clank style percussion as well. Bass player Paul Bryan is hardly there in a good way.

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It would be enough for an artist to release a great album from his own group while helping out a huge, still vital band like REM create new, meaningful music since the mid-90s. But Seattle-in-Portland-exile (well, that's how I see it) indie rock originator Scott McCaughey simultaneously released a mighty fine Minus 5 full length just as his reunited OG band the Young Fresh Fellows put one out too. And it turns out that if I Think This Is was released by itself in any year, it would have been considered a come-back coup for the caustic troubadour. On top of that, McCaughey, Steve Wynn (Dream Syndicate), Linda Pitman, and REM's Peter Buck (!) have just released The Baseball Project, a spritely whole album dedicated to their baseball fandom. That's sort of like McCaughey's version of Sandinista! separated into three different releases with three different bands and no Mikey Dread or kid's choruses. Wow. (Key tracks on The Baseball Project: "Ted Fucking Williams," "Sometimes I Dream Of Willie Mays," and "The Death of Big Ed Delahanty.")

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The Minus 5 are releasing Killingsworth at the same time leader Scott McCaughey is putting out Young Fresh Fellows' I Think This Is, both on Yep Roc. McCaughey's OG band was the YFF, one of the most high profile "college rock" bands of the 80s, their sinuous chicane garnering acclaim from Rolling Stone to scores of local zines at the time. That band included, among others, Kurt Bloch (later Fastbacks), whose guitar is the inspiration for a lot of playing that has come out of this region since then.

But there have been few songwriters Seattle-spawned as misery-guzzling and diarizing as McCaughey, whose drunk village savant rants and rave-ups against relationships, religion, the rent, and himself are close to the hearts of his purlieus peers. Upon moving to Portland, he began amassing collaborators there who have helped his newer band put out some out much of his best music ever, such as The Gun Album from a couple of years back, pulling in Wilco's Jeff Tweedy as well. This album has on board for much of it John Moen of the Decemberists (and "a Maroon and a Dharma Bum and a Jick"), and the vocals of Colin Meloy, but also REM's Peter Buck as usual. Special note should be made of Little Sue and the Shee Bee Gees who do a lot of backing vocals and dueting ("I Would Rather Sacrifice You" in particular for that) here in the way that female accompaniment has made later period Leonard Cohen albums less caustic on the ears.

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The gasoline-soaked, whiskey-filled Rat-King of Tumbleweed Town.

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First classic album of the New Wave and the most complete and stylish version of this super-important release so far.

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When Grant McLennan, co-founder of The Go-Betweens passed away in May of 2006, it was unclear what direction Robert Forster was going to go.

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Save for the overproduced malarkey of the last track, Heavy Trash almost achieve perfection on this album.

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In an oddly soothing combination of the Byrds guitar and slow country waltz beats, the Sadies are not quite rockabilly or surf, but closer to the definition of alt-country defined by Whiskeytown and Uncle Tupelo.

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The Minus Five was originally the resevoir project that McCaughey created to sustain the prolific overflow from his output with the YFF; it has occasionally encompassed projects such as full collaborations with Wilco...

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See what's in the stars -- and the record stores -- for you for December 2005, including reviews for Toothfairy, Rocky Votolato, Scissors for Lefty, Field Notes, and Ghost Stories.

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