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The problem with Narrow Stairs rests in the expectations we’ve come to have for Death Cab for Cutie.
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The Mary Onettes should find Doc Brown and go back to 1985.
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Voyager One creates a lush sound that leaves the listener with feelings of ennui.
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A perfect example of a record that I just don't quite know what to do with
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Recorded in 2005, the six-song EP by Seattle-ites Wilgus is chock full of catchy garage rock dirges that blend classic rock and punk.
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Saturday night at New York’s Mercury Lounge featured an impressive line-up of four bands on the cusp of breaking out.
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Overall, the show was fun, if a little disorganized all around but I still couldn’t think of any other way I’d rather spend a Monday night.
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Andy McAllister's voice oozed over the crowd like molasses spilling out of a bottle...
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Eisley's youngest member, Stacy Dupree, talks to TIG contributor Steele before rocking Boston
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Seeing DeVotchKa live gave me a new respect for the vast array of unique instruments that fill the songs I have grown to love on the records.
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The ten films that made my yearly best-of list, plus the 76 honorable mentions that follow below, represent about a third of what I saw last year. And I still missed most of what was out there.
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I'm not sure what went wrong, but the spirit of everyone's favorite '70s Colorado troubadour is nowhere to be found here.
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Burn to Shine's forthcoming Emerald City edition is quintessentially us. Like the other houses featured in the previous three Burn to Shine installments, this house was destined to be destroyed... but not before some stunning musical performances by great local performers like Tiny Vipers, Eddie Vedder, and Burn to Shine curator Benjamin Gibbard.
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Sarah Rudinoff is outstanding as ever, and her bit is, not surprisingly, one of the highlights of the theater year.
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I can't recommend it wholeheartedly, and even if I could you might not be able to get tix.
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