! = recommended
* = all-ages
Don't see your show on our calendar? Contact our calendar editor.
Thomas Montgomery is a pathetic man: he is middle-aged, fat, and balding, working a job he hates while coming home to a wife who he daily loves less and less. He goes online and finds the affection of a person with the handle “talhotblond” and starts an online romance. Things get complex and a third person enters and doesn’t exit alive. He is a coworker of Thomas’ who is also smitten with this tall, hot blonde. Such is the plot for Barbara Schroeder’s intense documentary titled, appropriately enough, talhotblond.
The doc is narrated by the victim in this, a young man named Brian. Well, not exactly, Brian is dead; he was murdered by Montgomery in cold blood, so he can’t exactly give interviews, let alone narrate the film, so she has actor playing Brian, giving insight into his psyche that may or may not be true. A documentary about lying on the internet is told by a character who was magically brought back to life to tell his story.
Montgomery, despite shooting him three times with a rifle that ended the twenty-two year old Brian’s life as well as Montgomery’s paranoia, dishonesty and racism, he’s not the villain here, but the third person in this bizarre love triangle is. Without giving away the major plot twist (which was both unexpected and inevitable), it’s understandable that director Schroeder is outraged that only one person is in jail for this senseless murder, but only one person Montgomery acted alone and any encouragement was only implicit. Make no mistake, the other character in this is a hideous person presented with no redeeming qualities, I’m just not convinced their activities were criminal.
By interviewing Montgomery on camera, and he being the only principle figure to do so, sympathy inevitably builds for him, which is a problem with documentaries when not everyone wants (or is alive) to tell their story.
Talhotblond is best when it’s viewed as a cautionary tale of an internet romance gone terribly, terribly wrong. Online, the truth is fluid but if you believe that there really is an eighteen year old sexy, blonde woman who is dying to give her virginity to a creepy, middle-aged man she’s never met and lives several states away, I have a bridge in Nigeria to sell you.
{talhotblond screens again today, Saturday, June 13 at 4pm at Pacific Place.}
1 Chris Estey said on June 13, 2009
Perfect review, Chris. Or at least I felt exactly the same way about it. And of course we're right.
2 Imaginary Amie said on June 13, 2009
Yup. Just saw it - altho I have to say I didn't feel sympathy for Montgomery at all and was disappointed at the sentence he received. However, I almost feel MORE outrage towards the 3rd party.
3 ChrisB said on June 14, 2009
Thanks Chris!
Amie, I didn't say that I had sympathy for Montgomery, and I don't. I'm saying that by interviewing only him and letting him cry on camera about how he misses his kids and how they're his entire world, people in the audience are going to be somewhat sympathetic to him - and some people in the Q&A at the screening I went to actually were (one person even went after Schroeder for including the racist comments from Montgomery in the film).
As for the third party, I think that person is a monster (and I said in my review that there are no redeeming qualities in that person), I'm just saying that I don't think what they did was criminal; creepy, disgusting, terrible, horrible, sure. There is a paper trail a mile-long of IM conversations but they were never arrested. Being a horrible human being is not, for better or worse, a crime.
4 Chris Estey said on June 14, 2009
*SPOILERS* ... What Chris said (again) -- and no offense, Amy, but I too hold Montgomery more accountable than the wretched third party (and think the film is based on an assertion that they're both arguably mutually culpable for what happened). I wondered about the racist remarks (?!--and was there a source for them from what the third party had written, or is "Tommy" just a psycho all ways around?). But they did offset the somewhat simplistic explanations from the weirdly exuberant therapist dude -- "He's a marine sniper! It's just his nature!" No, it's deeper than someone just being lost in a game -- contrary to the Hoover quote, this was about something more than addiction and secrets. People are addicts without becoming murdering lunatics. The push to punish the third party at the end seems a little red-eyed and frantic. Though she obviously knows how to cowardly fuck a whole lot of other people's lives (and her own) up.
Overall, though, the movie is a great reminder of something really important. I once had a redneck-type dude go completely ape-shit on me for my writing over the Internet, but it was just violent threats in postings and emails. It was scary, but it was brief and got me off that fucking website which was below my intelligence anyways. Fortunately he was indeed all talk and no action. But damn if there aren't some incredibly deluded people out there who are all about creating creepy cyber worlds; and not all of them are going to keep it on the screen.
5 Imaginary Amie said on June 14, 2009
Chris & Chris: I believe my comment was misconstrued. Of course Montgomery is the one who committed THE crime, and I in no way meant to imply that Chris B sympathized with him, or that he was less/equally accountable.
Having read the Wired article and the IM convos posted within it, I'm convinced that Montgomery was on the verge of cracking for awhile before this whole thing even started. I also have my own issues wrapped up in why I'm so horrified with the other person involved.
But this is a story to be told over drinks! So, we'll have to set some time up for that. :)
6 Chris Estey said on June 15, 2009
Yes to drinks and real time conversation on this!
And since I haven't read the original Wired article, you probably know more (especially about that third party) than I do. And I think there has to be a way to hold her more responsible, even though "Tommy" is the main culprit.
7 imaginary embracey said on June 21, 2009
I finally saw this during the best-of-fest weekend, and when the film was over I walked out of SIFF Cinema freaked and angry. Despite its faults (and oh, there are faults) I can't deny the film is effective.
In his review ChrisB mentions the narrative voice being that of the murder victim ("a character who was magically brought back to life to tell his story"). I think this was a *horribly* misguided decision on Barbara Schroeder’s part. It's a corny device to begin with, the actor doing the narration isn't very good, and the dialogue (especially toward the end) includes vocabulary that Brian probably didn't possess. I found it all terribly hokey, and a serious blow to the film's credibility.
Coupled with the elements that make the low-budgetness shine through -- that clunky music, those subpar visuals -- it's bad news. But I can live with all that, because the big twist is what really gives the film its impact.
Without being too spoilery, my view is that the despicable third party MUST have some kind of accountability here. (There's at least one civil suit pending, so maybe there'll at least be a public trial.) I agree with Amie that this person's actions are horrifying. And I agree with ChrisB and Chris E that the film handles the killer, Montgomery, with kid gloves in comparison. He gets off far too easy, even in the jailhouse interview, which didn't even seem to include the question "Did you do it?". Or "If you didn't do it, who did?". Or "You claim you were coerced into a guilty plea, yet you also say you feel guilty every day. What exactly do you feel guilty about?". Schroeder gets so wrapped up with the elusive third party that her film seems to forget there are two villains here.
So, in the end, I was nearly as mad at director Schroeder as I was at the horrid third party. I wish I'd been at a Q&A.
If the real-time convo over drinks hasn't already happened, I'm in.
8 Stabile said on December 13, 2009
9 Stabile said on December 13, 2009
... and what the heck happened to my formatting? It looked OK in preview.
Apologies, folks. I guess the filtered HTML option got clobbered between preview and send.
10 Beth Weedman said on December 18, 2009
11 Beth Weedman said on December 18, 2009
12 Chris Estey said on December 19, 2009
13 Barbara Schroeder said on December 26, 2009
14 Anonymous said on December 28, 2009
15 ChrisB said on December 28, 2009
16 Pete said on January 4, 2010
17 Stabile said on February 6, 2010
Not sure what Chris Estey's comments address, but the concepts I mentioned are solidly established independently of this discussion, or the facts of this particular example, and so on.
The mother's behavior is defined by some male or males in her past; often it's impossible to sort out just which character promulgated which trait, or who she originally might have been.
But the effect is clear, and as my wife often mentions, "It's everywhere." We're looking (in this case) at a world defined by a male perspective, and when it gets to this sort of stuff, the male perspective is usually pretty narrow.
The unbelievably stupid nature of many of the facts here is a dead giveaway, folks. Learn to see it, or live with the consequences: once the behaviors defined by the primitive strategy kick in, the female is assumed to have no legitimate input into the result.
What she wants does not matter. What she gets is the task of trying to understand who she must be, to be (apparently) pursuing the events she sees her self participating in.
The fact she usually has to invent a new, sometimes radically different self model to make sense of the memory of her own actions should come as no surprise.
And that's just the science of the matter. The reflection in our lives is even more fantastic, which, is, of course, why we're here, talking about this particular example...
18 winter_rogue said on April 19, 2010
19 Anonymous said on January 20, 2012
20 Imaginary Amie said on January 20, 2012
Anon: http://www.talhotblond.com/
Post new comment