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Rolling Stone shows great taste with Fleet Foxes

Rolling Stone continues improving and setting new standards (again) of late with their review section. People who pick on the covers and some of the other editorial choices but don't notice how much their reviews are written by great critics like David Fricke and Robert Christgau and Christian Hoard, are missing a lot of quality music assessment.

Now that the esteemed Will Hermes is writing for them, a scholar and a gentleman and man of incredible taste who for years always kept me buying things I'd read about in SPIN (thus I'm broke as hell, thanks Will), they have knocked their reviews section up even further.

If you're a local and wondered, "Is it just me, or are the Fleet Foxes going to be HUGE?" after seeing them live and realizing just how unique and enjoyable their joyful, intelligent music is, Mr. Hermes backs you up:

"Indie rock is undergoing a folk renaissance, which has spawned some great harmony singing. Case in point: Fleet Foxes' debut opens with a woozy a cappella that's part sacred-harp-choral tradition, part Beach Boys, and it resolves into a Celtic-flavored march with a searing Richard Thompson-style guitar line. The 11 songs are mostly pastorals — the sun rises, snow falls, spring comes, birds fly and, on "Tiger Mountain Peasant Song," the "tall grasses wave/They do not know you anymore." (Dis!) This style is what critics used to label "freak folk" before the term became verboten, though plain freakin' lovely is more to the point. A lower-dosage Animal Collective, the Foxes stuff their free-form songs with rich, swirling melodies; billowing clouds of organs, tom-toms, bells and assorted stringed instruments cloak group vocals whose secular-gospel, suede-fringed precision owes plenty to Crosby, Stills and Nash (check out the gorgeous intro to "He Doesn't Know Why"). The lyrics are haunted by mortality — one song finds the singer "staggering through premonitions of my death," and another's narrator finds a drowned child on the banks of a river — but the exquisite voices thrum with life." FOUR STARS --Will Hermes

categories: Fleet Foxes | Sub Pop
1

imaginary stella said on May 29, 2008:

There are some newish tracks up on the Foxes' Myspace page, too! http://www.myspace.com/fleetfoxes

2

Fledgy said on May 29, 2008:

I have seen Fleet Foxes twice and I am here to say "The emperor has no clothes!" (But he does have a sweet 70's beard and haircut)

All the fawning over the Fleet Foxes is completely lost on me. The Fleet Foxes are to 70's California Hippy Rock what Sha Na Na is to 50s Doo Wop. Yes, they are acurate in their mimickry of the look and sound, but given the absolutely cloned nature of their form and substance it just ends up coming of like beatlemania schtick. Is there so little going in modern music that we need to accpept and fawn over retreading as though it some great new idea or contribution to the body of Rock Music? I say The emporer has no clothes!

3

hahnsolo said on June 3, 2008:

I agree with you Fledgy; if you are going to compare Fleet Foxes and their place in the history of American pop and rock music, they'll probably fall into that retro mimic category that in the long scheme of things, will end up being not so significant. but we live in the weird post-modern period where the term "new sound" is genuinely hard to achieve, especially if you're in the 2 guitars, bass, drums and voices arrangement.

even with that said, i prefer fleet foxes over top 40 radio and the majority of indie releases at the moment. but then again, i just listen to stevie wonder and the beach boys on repeat.

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