I know, I know. Writing best of 2010 lists is so three-weeks-ago. But with such a good year in music having just passed, it would be remiss of me to not to let the imaginary-sphere know about a few of my favorite close-of-the-oughts things. I've never been a big subscriber to "this is better than that" -- it's not easy to put so much different stuff on one plane and deem some of them better, some of them worse -- so instead of file and rank, I've compiled a few chunks of albums, shows, and random happenings that made it to 'awesome' status for me over the last twelve months, with commentary, in no strict order.

That said, this best-of is meant to be enjoyed. Maybe your life was altered at the same show mine was, or maybe the same album had you trapped in the car for an hour listening tracks on repeat. Whichever is the case, remember one thing above all else: as John Roderick so eloquently stated earlier this week, "If you are too busy to discover new albums for yourself, the last thing you need is a list of more albums to buy. You should take a hot bath instead."

Agreed.

That said, let's start with the releases. I was seriously impressed with the amount of great EPs and LPs that came out this year, and this is coming from someone who's held fast to the belief that there hasn't been a 'great' year for new music since about 2005 or so. (Obviously, with a few onesie exceptions here and there.) Maybe it has to do with where I'm at and what I'm capable of absorbing at any given point, but seriously -- I'm able to look back at what made it into my itunes from January until now, and can state with confidence that some honest-to-goodness talented shit rose to the surface above the onslaught of mediocre that is now deemed 'indie' and/or 'indie rock' these days. (PS: in most cases, there's very little new music that can truly be deemed 'indie rock.' I'm just saying. When the next Wrens album comes out, we'll talk.)

Tied for First Place:
* Lovesick Empire / The Grind EP - I simply can not get enough of this EP. It's a sound that invokes a proper nod to grunge (which is seemingly inherent, rather than purposeful), laden with powerful big-guitar ache and smart lyrics to match. Catch them in the third-of-five spot at Neumos next Friday, January 7th before you head out to Columbia City (see below). {listen / free download}{tickets}
* Damien Jurado / Saint Bartlett - This ambitously-recorded album is a bold departure from Jurado's previous work, with a layered, throwback, one-take sound that begs to be heard on vinyl. Wielding the CD in my car on the way home from the West Seattle Easy Street pre-release show, I found myself pulled over on John Street, listening to "Beacon Hill" about twenty times in a row -- if you didn't pick this up yet, you can grab a copy at his upcoming show on Friday, January 7th at Columbia City Theater. {buy album}{tickets}
* The Head and the Heart / (s/t) - Unless you've lived under a rock since about April or so, you know why this band made my best-ofs. There's hardly enough adjective left that hasn't already been used since this band hit my radar over the summer, and they've gone from the stages of Conor Byrne and Sonic Boom to opening sets for Dave and Tim's most recent run of shows -- and with good cause. If you're lucky enough to have picked up tickets to the January 15th show at Neumos later this month (we're including the link in case any get released between now and then), I'll see you there! {buy album}{tickets}

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I've had the fortune of crossing paths with Tom Brosseau many times in the five years since we first met, and it's always been nothing short of total perfection. An intimate show at an all-ages venue back east, a night at the Living Room in New York City, sharing the stage with Ethan Rose and Shelley Short at the Tractor -- the list goes on and on. Both coasts and many stellar performances later, we recently landed at the 18th floor of the Hilton Garden in at SXSW together, and I got to experience Tom's work in a whole new light.

He's out on a purposeful small-room tour this go-round, bringing magic to our ears as part of a duo with the incredibly talented Angela Correa.  Sweet, deconstructed original numbers carry their voices in a perfect blend of melody, with little more than Tom's acoustic meanderings and a foot tap here and there to keep the time. It's dramatic while remaining completely understated, powerful and intimate, and absolutely not-to-be-missed.

Check out their MySpace for a proper sampling of this modern take on some standard sounds, and then grab your ID and come down to Hattie's tonight. With all this and Shelley Short opening up the night, you won't be disappointed. Promise.

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