If you’re free for some SIFFIng at 4:30 today, I’ve got one to recommend highly. We Are the Best! follows 3 teenage girls through roughly a school year in 1982 Stockholm. Despite the age of its protagonists—13, all—and the fact that instruments are involved, it’s not really about Growing Up, or Finding Your Voice, or even Putting On The Best Show Ever. It’s not there to judge teens (“Whatever happened to respect, young lady?”) or deify them (Bueller? Bueller?) or hold them up as adorably limited or precocious mini-humans so we can all be glad we’re past that. Director Lukas Moodysson (Lilya 4-ever) treats teenagers are interesting on their own terms, as characters who needn’t be conscripted as metaphors. It’s a poignant and insightful movie. With 13-year-old girls.
Bobo and Klara are best friends. Bobo is more inwardly drawn than Klara. She likes punk music—it makes her feel better—but she still has elephant-covered pillow cases.
Another year, and another weekend at the Gorge is upon us! That's right -- this weekend brings with it our favorite northwest festival season opener, Sasquatch!. Running this year from Friday through Sunday (and thus avoiding the whole, "I really should have taken Tuesday off from work!" mess), the 2014 lineup is no slouch, with a little something each day for everyone. So, without further ado, here are our cream-of-the-crop picks for each day of the fest:
Friday, May 23rd
The day starts off with a bang from the barrier in front of the Yeti Stage, where you can catch Old 97s frontman Rhett Miller noodle through classic favorites and hopefully a spin through the new record the band is touring behind. (KEXP has been spinning "Most Messed Up," the title track from the most recent Old 97s album, and We. Are. Loving. It.) After a dip by the mainstage and a few comedy acts, the night runs back-to-back with killer sets from Phosphorescent, Foals, Phantogram, and Damien Jurado -- and that's just the tip of the iceberg!
Check out the day's schedule here, and our recommended stops below:
1:00pm // Yeti Stage: Modern Kin
2:00pm // Yeti Stage: Rhett Miller
3:10pm // Sasquatch Stage: De La Soul
4:45pm // El Chupacabra Stage: Eugene Mirman
6:00pm // El Chupacabra Stage: Princess feat. Maya Rudolph
6:35pm // Bigfoot Stage: Phosphorescent
7:15pm // Sasquatch Stage: Foals
8:00pm // Bigfoot Stage: Phantogram
9:15pm // Yeti Stage: Damien Jurado
10:40pm // Sasquatch Stage: Outkast
Saturday, May 24th
Day two out at the Gorge gets rolling with one of our favorite east-coast-turned-Seattle bands,
Pela We are Augustines Augustines down on the mainstage. They'll bleed nicely into vibes from First Aid Kit to warm up the afternoon, followed by what we're sure will be the sleeper hit of the weekend, Jonathan Wilson (who is up the hill on the Yeti Stage at 4:10pm). Wilson's "Can We Really Party Today" has been a mixtape staple since Fanfare's release last year, and we can't wait to get a taste of what depths he can go to live! We'll be spending most of the rest of the night on the genre-rollercoaster down on the mainstage, with sets from Violent Femmes, Neko Case, and the National, among others.
Saturday's full schedule is here, and our can't-miss sets of the day are as follows:
Examine, if you will, two documentaries very similar in tone and structure: upbeat, pleasant, and curious. One asks a very large question: How do you make Shakespeare relevant to contemporary audiences? The other asks a small one: Where did General Tso’s chicken come from? One is populated with some of the most talented actors of our time. The other, with restaurant owners, fortune cookie manufacturers, and one dedicated menu collector. Both had impressive animated interstitials and charming interviewees. The crowd loved, loved both of them. But only one was an effective documentary. The Search for General Tso, directed by Ian Cheney (King Corn), was unwaveringly fascinating and unexpectedly suspenseful from titles to curtain. What a great question: who did create this bizarrely ubiquitous dish? The surprisingly satisfying answer is unveiled after first exploring things like who the historical General Tso was and what he was famous for, the history of the American immigration policy towards China, regional variations between American Chinese menus, and what it looks like to manufacture take-out boxes.
There was no suspense and far less revelation in Muse of Fire, directed by and starring struggling actors Dan Poole and Giles Terera. Poole and Terera are funny and winning, but the film is at least as much about how hard it was to make the film as it is about Shakespeare, relevant or otherwise.
You may want to believe - but in what exactly? That aliens are among us and engineered the creation of our species through DNA experiments on early primates? Or maybe that the government has been running a focused disinformation campaign to spread stories of UFO's to distract the public, flummox the Soviets, cover up advanced technology programs, or perhaps just to goose Hollywood box office numbers? And don't forget about the possibility that these government coverups are muddying the waters - hiding our dealings with the aliens by spreading half truths about aliens.
Yep - if you thought the final years of the X-Files was all over the place, brace yourself for Mirage Men. This documentary delivers access to the players - from UFO researchers telling tales of good men turned mad by the NSA, to the OSI agents who told the lies.
"The law is what it is. If you can't use it to get justice then you're the ass!" - Rookie officer Adi addressing his superior.
Monsoon Shootout from director Amit Kumar is a tight and satisfying take on first day on the job dramas such as Training Day, while layering in a metaphysical treatment of the power of choices we make each moment of our lives. Clocking in at a fast 88 minutes, a lot gets packed into this one.
The film kick offs with Adi's first day on the job as a cop. He's teamed with Khan, a beyond pragmatic lawman who believes in justice but not upholding all the details of the law. That's made pretty clear when within minutes of reporting for duty Khan executes a group of suspects in the extortion murder of a real estate developer. Adi's asked to crash their car to cover up the "escape" attempt, and his moral dilemmas begin. Before long he's making choices that are all over the shades of grey spectrum as they try to put away Shiva (aka the "Ax killer"), who's just the tip of the bloody spear wielded by local gangster "the Slum Lord." In the meantime, corruption is all around in what could just as easily serve as a scathing indictment of Indian society as it could a hard-nosed police thriller.