Tonight in Seattle:  

Recommended SIFF + Ticket Giveaway: The Punk Singer

I don't even feel like I need to write anything clever about Kathleen Hanna, because SHE IS KATHLEEN HANNA. Hello. HELLO.

So look. Here's the deal: We have a pair of tickets to give away to each showing of Sini Anderson's documentary The Punk Singer (obviously, about Kathleen Hanna). The film screens this Friday, 5/24, 9:30pm and again on Sunday, 5/26, 1:30pm at The Harvard Exit. Enter to win by sending an email to us at tig {at} threeimaginarygirls {dot} com with the subject line "Ramalamading dong" anytime between now and 5pm on Wednesday 5/22. And make sure you tell us WHICH screening you want tickets to! We'll notify the winners Thursday morning. 

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SIFF Take: Big Star: Nothing Can Hurt Me

Naturally my great love for The Posies led me to my great love for Big Star -- and I still remember being outraged when watching That '70s Show and realizing the version of "In the Street" playing over the credits wasn't Big Star's original, but instead a cover by … Cheap Trick. What. 

Big Star is one of those great power pop bands that people didn't appreciate until long after their albums were released. They're the kings of vocal harmonies and guitar riffs (I could listen to "Feel" all day, every day and NEVER, EVER get tired of it), and they know how to drag a song out until you feel like you can't take it anymore, and then finish it off with a bang -- leaving you feeling exhausted, but satiated, and yes -- wanting more. So much more. 

Big Star: Nothing Can Hurt Me does a stellar job not only covering the history of the band from Alex Chilton and Chris Bell's first collaboration, but also touches on the personal struggles of each. It's a complete picture of Big Star from its inception to its demise -- and later resurrection -- and of course, it's loaded with awesome tunes (Psst: Ominvore Recordings is releasing the soundtrack on vinyl!). It's a gorgeous portrait of the band, and a must-see for fans.

{Big Star: Nothing Can Hurt Me screens at the 39th Annual Seattle International Film Festival on Tuesday, 5/21, 9pm, and again on Sunday, 5/26, 8:30pm at SIFF Cinema Uptown}  

In the House (Dans la maison)

{In the House opened in Seattle on Friday, 5/17, and is screening at the Landmark Seven Gables Theatre}

In the House is the latest thriller from atmospheric maestro François Ozon, and while it’s a bit more subtle than Swimming Pool or Hideaway, manohman does it deliver on the chills.

Bored literature teacher Germain (Fabrice Luchini) finds interest and inspiration in a new Freshman’s fictional story, but when he confronts the boy, Claude, about it, he admits it’s based in reality, and is about his friend Rapha’s family. The startled professor initially gives Claude a hard time about it, but then encourages him to continue for the sake of the story, offering to help the boy develop his literary gift.

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Photo Essay: SIFF Opening Night! Whedonverse meets SIFFverse

WOW. Wow. wow. When we sent Imaginary Amie & Rich to the SIFF Opening Night Red Carpet last night, we didn't realize how AMAZING it would be. I mean, we had an idea -- but holycrap, you guys. It was AWESOME. So much Whedonverse & SIFFverse goodness together! 

Amie live-tweeted and recorded some Vine videos while Rich took on the photos (find his full set here), and both laughed and cheered along with the crowd as the Directors and Stars arrived. Below is a sampling of what we experienced! 

Alexis Denisof and Carl Spence

Seattle-based Director Lynn Shelton

{more photos after the jump}

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Latest comment by: Imaginary Rich: "

It was so much fun to shoot! Glad you enjoyed the coverage. :-)

"

SIFF 2013: Week One Highlights

Goltzius and the Pelican Company

SIFF's opening night film was, as I'm sure you've heard, Much Ado About Nothing -- a title which we're all hoping doesn't apply to the ever-varied lineup of this year's iteration of our beloved local cinema gorge-a-thon. Whether or not you were lucky enough to get tix to opening night's Whedonverse fantasia (or the following evening's 'secret' screening), there'll be plenty of filmic wonders for you to choose from this year -- and the TIG SIFF crew is here to help. Here are seven features to see, three to avoid, and four to be cautiously optimistic/pessimistic about, all screening at some point in the coming festival week (May 17-23).

DON'T MISS:

Frances Ha
{screens May 17 at 9:45pm and May 18 at 4pm at Pacific Place}
Imaginary Amie and I appear to be in agreement on this one. It's another delightful New York story from Noah Baumbach (The Squid and the Whale), this time focusing on the post-college, aspiring-dancer title character (indie it-girl du jour Greta Gerwig) throughout a series of struggles after a best-friend breakup. The film does right by the cinematic institutions it so lovingly references -- Manhattan-era Woody Allen and the French New Wave among them -- and distinguishes itself with a sweet, melancholy charm all its own.

Goltzius and the Pelican Company
{screens May 17 at 6:30pm at the Egyptian, and May 19 at 4pm at the Uptown as part of An Afternoon with Peter Greenaway}
Consistently intriguing auteur Peter Greenaway's latest film follows a late 16th-century Dutch printer/engraver as he attempts to convince a powerful margrave to fund the production of a nekkid-illustrated Old Testament. When the margrave balks, Goltzius's employees (the Pelican Company part of the title) agree to entertain the court with six titillating (and, yes, dong-illating too) evenings of erotic biblical reenactments. Playful provocations -- of the characters and the audience -- ensue. Greenaway's unmatched visualism rarely fails to stun, and he utilizes it to great effect here in exploring the narrative's sacred-vs.-profane themes. Crazy, nasty fun.

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Latest comment by: sarah: "Great suggestions. I enjoyed Frances Ha and planning to see Una Noche this week."