Tonight in Seattle:  

Happy 12th imaginary birthday to us!

TIG PARTY! Photo by Steve Louie
{Photo: Steve Louie}

We're elated to raise a coffee mug {or cupcake} to toast Three Imaginary Girls' 12th IMAGINARY BIRTHDAY today!

It's hard to believe that it's been two years since we marked our 10th anniversary, which makes it even harder to comprehend that it's been 12 years since Three Imaginary Girls hit the internet-o-sphere.

On June 10, 2002, Dana and I pulled near-all-nighters for weeks and weeks leading up to the launch of this little web-zine… a place where we and our friends could write as many and any words we wanted about local and touring bands that made us giddy.  

In the days, weeks, and years that followed, we were lucky enough to find co-conspirators and readers who shared our enthusiasm as many more sleepless nights followed with many more stories shared and recaps of all the new imaginary favorites {songs, people, bands, films, mixtapes, coffee, etc.}.

Since then, the site has grown more than we ever could have imagined.  We have more than 25,000 articles in the imaginary archive and have listed over 35,000 shows on our calendar {major hat tip to our dear calendar editor since the very beginning, Jason}. 

With this huge library of stories about the amazing songs, bands, films and miscellaneous things that make the world so wonderfully imaginary, we've realized that we need to find a more reliable, reader-friendly, dynamic, and cost-effective way to keep the site growing and going.

So, we're in the midst of converting the site to WordPress - a major undertaking that's emptied our bank account and left us in a pinch: We've recently hit a wall in setting TIG V4 up on our own.  We've asked around and the responses to the list of items that need to be fixed before we can launch all are the same:  "Yeah, you need a dev to figure that out."

That's where we could possibly use your help:

Are you a WordPress developer with some skillz you'd like to share in exchange for all the tig t-shirts and mugs we have in our stash, dozens of cupcakes delivered to your door, endless amounts of gushing about how great you are, and some cash?  Sound fun? Email me (at liz at threeimaginarygirls dot com) and let's chat!

Mmmmm imaginary cupcakesWould you like to help us cover the cost of a dev? After all, devs have rent to cover and weighty bills to pay too.  We're working on putting together an IndieGoGO or other like campaign to offer ways that you can join in the fun with some rewarding ways to donate. You can donate now {HAPPY BIRTHDAY TO US!} or email me for more details.

We are excited about the future of TIG and would love your help shaping it. We can't thank you enough for being so imaginary {and supportive and kind} over the last 12 years -- here's to 12 more. 

The day is beautiful and so are you!

CHEERS!

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SIFF Take: How to Train Your Dragon 2

It feels a bit unseemly to trumpet such a mainstream movie during this Festival of the Wonderfully Obscure, but How to Train Your Dragon 2 is absolutely wonderful and deserves trumpets. It opens 5 years after the events of the first film. Berk is now an idyllic, gravitationally precarious but architecturally impressive hamlet with a thriving population of dragons. The biggest issue is that Stoic wants Hiccup to be the next Chief, and Hiccup is ambivalent at best. This very quickly becomes not the biggest issue when a Very Bad Guy enters the picture, bent on enslaving all dragons.

All of the battles are exciting and suspenseful, and the dialog is snappy and funny, but this film is special because of the strength of the story. The plot isn’t merely a series of set-ups for set-piece battle scenes. It wrestles, sincerely and unironically, with issues including family, loyalty, duty, free will, and the pursuit of peace. Peace! Punchline of hippie skits and Miss America parodies. The movie declares peace an achievable concept, worth striving for. By the end, I wanted to stand and salute.

{How to Train Your Dragon screens one more time at SIFF on Sunday, 6/8, 10:30am at Pacific Place} 

Latest comment by: england And scotland page On wikipedia: "What's up, this weekend is nice for me, because this occasion i am reading this enormous informative piiece of writing here at my home."

SIFF 2014: Closing Weekend Highlights

The Great Museum

The end of this year’s cinema mega-thon is nigh, and if you've slacked on your SIFFage there's still time to do something about it. Here I present to you seven sure-fire hits that I personally guarantee will provide you some major cinematic enjoyment, all unspooling (digitally) over the next few days.

DON'T MISS:

The Great Museum
{screens June 7 at 2:30pm at the Uptown}
Absorbing year-in-the-life documentary following directors, preservationists, curators, and general staff of Vienna's Kunsthistorisches Museum during a major renovation and re-brand. The film offers fascinating visual treats aplenty – art and artifacts in various states of exhibition, decomposition, and restoration – with new (old) surprises constantly being unwrapped and unveiled.

La Mia Classe
{North American premiere. Screens June 7 at 8:30pm at the Uptown, and June 8 at 4:30pm at the Harvard}
A group of aspiring Rome-based immigrants take a mandatory Italian language class and encounter shared grief, social integration, and humanity. This is actually a movie about itself – the students are real, the teacher is an actor, and we see fourth-wall ruptures via shot setups and off-script developments that inform the third act. Do see it, and when you find yourself unsure of what’s fiction and what (if anything) is not, don’t worry: it’s all saying the same thing, and the point is a profound one. Director Daniele Gaglianone is scheduled to attend these SIFF screenings, and I wonder if Q&A sparks will fly here like they did in Venice.

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Rigor Mortis (Geung si)

{Rigor Mortis opens in Seattle on Friday, 6/6, and is screening at AMC Pacific Place}

I was pretty psyched to watch Rigor Mortis (especially since I’d just missed it at SIFF), mostly because I knew that Takashi Shimizu was involved as a producer, and I love all incarnations of his Ju-On films—including the American remake that he also directed—beyond any acceptable level of reasoning.

What I didn’t know, and probably should have going in, is that Rigor Mortis is actually one big in-joke, specifically related to the 1985 horror-comedy Mr. Vampire (which I have never seen). Mortis shares several actors with Vampire, and makes reference to both the hopping vampire at its center and the priest who’s tasked with stopping him.

Watching it without that lens, I wasn’t sure exactly what was going on—only that it was a LOT, and I wasn’t sure how any of it was connected.

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Latest comment by: imaginary embracey: "

I still haven't forgotten those twin ghosts crawling up the damn walls! They were very CGI, but still (imho) pleasantly disturbing.

"

SIFF Take: God Help the Girl

God Help the Girl

Prior to seeing God Help the Girl, I’d only been a somewhat-interested fan of Stuart Murdoch and Belle & Sebastian—hearing their most popular songs in passing. Sure, I listened to plenty of friends rhapsodize about The Boy with the Arab Strap and agreed with them that it sounded great; I just never cared enough to scrape up enough pennies to buy it in the pre-download era 90s.

But ALL THAT HAS CHANGED now that I’ve seen the glory of Murdoch’s directorial debut, based on his 2009 album of the same name, in which he wrote a story-telling album about a troubled girl and hired a bunch of relative unknowns to sing his words. Wait. What? Why I had never heard of this before? I am clearly WOEFULLY out of touch and desperately un-hip. Liz Riley, I am sure this must be something you have a copy of on vinyl, correct?

But anyway, let’s get to the film. Murdoch wins the award for best casting ever in everything, because Emily Browning is PERFECT. Man, that girl can SING. And also ACT, which is equally as important, given the multi-layered performance required. Browning plays the title “girl,” Eve, who escapes the boredom of her treatment facility to attend a rock show one night and falls into friendship with adorable guitar player James and his piano student Cassie. Summer fun times lead them to form a band together, but Eve’s fragile mental state threatens her relationships with the only people in her life who have ever provided stability.

Olly Alexander & Hannah Murray also do an excellent job as James & Cass, and the trio’s hipster-perfect outfits and video-cammed antics make you want to jump in and join the fun. But don’t be fooled: what looks (and sounds) like a twee pop rock musical actually dives into some seriously deep issues. Look past those bright pop montages, watch Browning emote 1,000 things with just her eyes, and really listen to the lyrics to get the full picture. Short story: God Help the Girl is simply gorgeous, and I can’t wait see it again.

{God Help the Girl screens one more time at SIFF on Tuesday, 6/3, 7pm at SIFF Cinema Uptown}